No se si esta música se ajusta a lo propuesto (se supone que lo que suena es música de salón mexicano), pero es que el tema me ha recordado este disco que es muy muy bueno:
[youtube]
https://www.youtube.com/watch?v=k2LCScG ... NVVFrrzCV8[/youtube]
Explicación de lo que es música de salón:
The term salón in the title of this release is more than just an evocative concept; the music included is, for the most part, of the genre known as salon music (or, for one derogatory writer, "potted-palm music"). Salon music flourished in many countries and gave rise to a largely neglected Latin American repertory of whose rediscovery this album by Mexican pianist Jorge Federico Osorio is part. It was music for use in middle-class homes, modest in technical demands and rooted in the dances and genre pieces of the 19th century, the waltz above all. Most of this release is devoted to three composers: Manuel Ponce, the only famous one of the group, who composed in an extended salon-type language in the first half of the 20th century. He is joined by two of his immediate predecessors, Ricardo Castro (whose name is hilariously butchered in the CD booklet) and Felipe Villanueva. The language of both adds a bit of popular-inspired Mexican flair to the well-worn European waltz and mazurka. Osorio wisely avoids overdoing these Mexican elements, which will soak in on their own as one listens to the music. The best, however, is saved for last. It is by José Rolón, a student of Nadia Boulanger whose age was between that of Villanueva and Castro and that of Ponce. His contribution, the Vals Capricho, Op. 14, is a virtuoso paraphrase in the manner of Louis Moreau Gottschalk, with the song Sobre las olas by Juventino Rosas as its source material. The title may not ring a bell, but anyone who has ever ridden on a merry-go-round will recognize it. This is not exactly salon music, but it's a real gem, and Osorio handles it confidently. Recommended to lovers of Latin American music.
Fuente:
https://www.allmusic.com/album/sal%C3%B ... 0002405054
Aun mucha mas información de música de salón en esta web en la sección de "Program Notes":
http://www.cedillerecords.org/albums/salon-mexicano
Some musical purists use "salon music" as a term of contempt. They claim it lacks artistic value; that it is just an early type of Muzak, or meaningless background sound. In the 19th century, however, piano music as a form of pure entertainment had both an artistic and a social function. In those days, before the invention of recording, the advent of radio, and the arrival of MP3 downloads, party music could only be provided by actual performers. Often these were pianist-composers who could create melodies that were singable and danceable, and elaborate them in clever ways that made them highly interesting and entertaining to hear….
